INTERVIEW FOR THE SOUND OF SKA FRANCE
1. STORY OF THE GROUP SINCE THE BEGINNING UP TO THE
PRESENT DAY.
Alex Solano, (Hammond B3 organ,
Piano, Bass, Guitar, Percussion player of Empire All- Stars:)
The group began at a time when traditional ska dominated rude
boy and skinhead scene. Many groups played Traditional Ska,
and I too was in a ska band before I went reggae. I was 16 in
1996 and my interest was focused on rock-steady and what is
known as "skinhead-reggae" The reggae riddims had
that fast drumming and rhythmic pulse that grasped my attention.
So I began to manifest that in my music as well. My first composition
was "Train Memorial". I originally recorded it on
my Yamaha SY-77 sequencer. I hooked up with Bernie Garcia &
went down to the Skeletones studio to
4- track the song, as a demo. And later got the appropriate
musicians to do the studio work, that is how the Empire All
Stars came about. Alex Vargas (from Mobtown) played the drums
and I took care of the rest (bass, guitars, percussions, and
keyboards). The track was successful and thus came out on Steady
Beat's compilation Ska, Rock steady, Reggae The West Coast Chronicles
Vol.1 That was the first track of Empire All Stars.
After that we went back into the
studio with the help of Bernie Garcia again, as producer and
financial investor, as well as other musicians, again with Alex
Vargas of (Mobtown) on drums Kip Wirtzfeld of (The Skeletones/
The Debonaires) on tenor sax & Steve Wilson of (Skiptooth)
on tenor sax, Jason Schultz of (The Skeletones) on drums, Mark
Cummings of (The Skeletones) on bass, Ryan Tomazin of (The Debonaires)
on bass and also Mike Cazares of (Reggae Foundation Band) on
guitar who made the recordings possible. The group pretty much
remained a studio project and with the help of these musicians
I was able to play my music and make it part of everyone else
involved. My role was to do the song writing and somewhat be
director of the band to make sure that everybody learned their
parts. The last track that we recorded was "Journey"
since then we have just been releasing the material with no
studio work involved since then.
2. WHAT ARE THE MEMBERS?
Alex Vargas-drums & percussion
(Mobtown)
Kip Wirtzfeld -tenor Sax (The Skeletones/ The Debonaires)
Steve Wilson -tenor Sax (Skiptooth)
Jason Schultz - drums (The Skeletones)
Mark Cummings- bass (The Skeletones)
Alex Solano -arranger/song writer- bass, guitar, hammond b3
w/ leslie, piano, percussion. (Skiptooth/ Reggae Foundation
Band)
Ryan Tomazin- bass (The Debonaires)
Mike Carzares - guitar (Reggae foundation Band)
3. WHEN THE EMPIRE ALL-STARS
BEGUN, ANY BAND PLAYED SKINHEAD REGGAE IN CALIFORNIA, WHY THIS
STYLE OF MUSIC RATHER THAN SKA OR ROCK STEADY?
There were few successful bands
that were able to pull it off. Dynamic Pressure was one of them.
There may have been other local bands who covered old songs,
but it was rare to have a band play that style. Most stuck to
Ska or regular reggae. For some reason most ska drummers couldn't
pull off the raw-ness of skinhead reggae. I admit that it is
a distinct style, which, if you study the history of it, only
lasted a few years before it evolved into something else. And
for this reason I eagerly pursued into investing my time to
record this style, because so many people liked it but no body
was doing it.
4. WHICH SKINHEAD REGGAE
BANDS HAVE HAD AN INFLUENCE ON YOU?
Well I can only mention the originators
of the music, and is Lauren Aitken, The Upsetters, Hot Rod All-Stars,
GG All-Stars, Prince Buster, Harry J-All Stars, King Stitt and
countless others. Also many artists featured on the SKINHEAD
JAMBOREE Cd as well as the SKINHEAD REVOLT cd.
But for the most part, it was Jamaican reggae from Studio One,
Treasure Isle, Lee Perry, and Prince Buster who had the most
influence on me.
5. ARE THE EMPIRE ALL-STARS
ONLY AN INSTRUMENTAL BAND?
Yes they are, it is mainly composed
of musicians who can perform that early type of reggae style,
but yet have an original sound.
6. SEVERAL MEMBERS OF EMPIRE
ALL-STARS PLAY WITH OTHER BANDS. IT MUST BE DIFFICULT FOR THE
REPETITIONS AND THE RECORDINGS?
Not really, since the members are
studio musicians we respect the fact that each person may go
their own way after a session, as long as they're there when
the recording takes place and the instrumentation is in place.
Well as the name goes Empire All-Stars was derived from these
musicians living in the region called, “ Inland Empire”,
California, USA.
7. THE EMPIRE ALL-STARS
DEFINE THEMSELVES AS A STUDIO BAND. IS THERE ANY FRUSTRATION
FOR YOU AND FOR YOUR PUBLIC TOO? I'M SURE THEY WOULD LIKE TO
SEE YOU ON STAGE? IS IT A PLAN IN THE FUTURE?
To be honest, a few years have
passed since the last recording and so many have moved onto
other projects which have nothing to deal with the band, and
the name of the band was pretty much titled for the reason that
it was studio work. I would like to re-do some old songs that
I wrote way back, but now focus more on a clean and tuff sound
from the studio.
8. HORROR FILMS; WESTERNS,
HAVE AN INSPIRATION "SOURCE" FOR THE SKINHEAD REGGAE.
IS IT TRUE FOR YOU AND YOUR TRACKS?
We did one track titled "A
Fistfull of Reggae" which derived its name from a record
called "A Fistfull of Dollars" By the Crystalites.
"A Fistfull of Reggae" was a wicked track using the
B-3 Hammond. But for the most part, the original skinhead music
was inspired by Westerns because of the time it lived in and
its historic context. Today there are no westerns and so it
is a thing of the past.
9. HOW MANY TRACKS FOR
EMPIRE ALL-STARS? ARE YOU PLANNING A LOT OF COVERS?
As of now we have recorded 8 tracks.
We did cover one song, which was produced by legendary producer
HARRY MOODIE. In fact, here’s the story. When I was 16
I had bought a single entitled ROME on the Moodisc Label. and
so the B-side was the DUB. I made a keyboard composition to
the DUB and so recorded it on cassette. I then mailed it to
Florida to Harry Moodie and he liked the track. So what ended
up happening was that I recorded the B-3 Hammond on ADATS and
sent him the tracks, which he later put the original music to
it and released a 7" single entitled RETURN TO ROME by
ALEX "WIZARD" SOLANO.
That was probably one of the greatest accomplishments I made
with reggae music.
Later I had Jason Schultz the drummer from (The Skeletones)
help me record the same song but with instrumentation done by
the Empire All-Stars.
10. COULD YOU TELL US ABOUT
YOUR FIRST ALBUM? IT'S TITLE? HOW MANY TRACKS? WHICH LABEL?
WILL WE FIND AGAIN THE TITLES WHICH ALREADY ARE ON THE COMPILATION
"PRIMO SONIC RHYTHMS VOL. 1"?
Well, the first album was never
released because of a limited supply of tracks. As time went
on, the Empire All-Stars were going their separate ways to be
with other bands & conflicting schedules. So some of the
tracks were given away to some labels for compilations. These
include: Luis Correra of Steady Beat Recording label, “The
West Coast Chronicles Vol. 1 compilation (SBR110CD), Bernie
Garcia of Rivercidal Syndicate Records label, Primo Sonic Rhythms
Vol. 1 compilation (70010-2), JonSchuman of Boss Sounds Records
label, Forward March compilation (BS001). Also a International
German label Spirit of 69 Records “ Searching For The
Young Soul Rebels Vol. 2”. runned by
Florian Ennockl
11. WE CAN FIND ONE OF
YOUR TITLES ON EACH COMPILATION "SEARCHING FOR THE YOUNG
SOUL REBELS VOL.1 & 2", HOW THE GERMAN LABEL HAS CONTACTED
YOU? HAVE THESE TWO INTERNATIONAL COMPILATIONS BEEN A POSITIVE
THING FOR YOU?
Yes they have, although I was not
pleased with the quality of the recording the band did. This
was the track called A Fistful of Reggae on Searching for the
Young Soul Rebels Vol. It was released on vinyl. If I could
go back and change anything, it would be the studio mix. But
for the most part, its great to have my music be outside the
States. Also we released the final studio recording of Journey
to the follow up compilation Searching for the Young Soul Rebels
Vol. 2. We were very pleased on this track.
12. SINCE SEVERAL YEARS
IN CALIFORNIA, BANDS WHO PLAY REGGAE MUSIC ARE MORE AND MORE
NUMEROUS. FOR YOU, IT'S A NEW "TURNING POINT", FOR
THE TRADITIONAL CALIFORNIA SCENE? ARE THERE REGGAE FESTIVALS
IN CALIFORNIA? AND IN YOUR AREA?
I gotta say that I dropped off
the scene somewhere in 1998 when I joined a Rasta Reggae Band
called Reggae Foundation Band. I played the keyboards and did
some song writing. There is still a Traditional Scene with a
new generation and some new bands emerging form all parts of
the US & beyond. Such bands are: The Debonaires, The Vessels,
The Rhythm Doctors, Kingston 10, The Irie Beats, The Soul Steppers,
Go Jimmy Go, The Cover Ups/ Twilites, and so forth. The reggae
festivals that I do attend now-a-days are more modern artists
with conscious vibes such as Lucciano, Sizzla, Turbulance, Buju
Banton, and the like.
13. WHICH TRACKS WILL APPEAR
ON THE COMPILATION "PRIMO SONIC RHYTHMS VOL. 2"?
For Vol. 2 there might be 2 tracks
previously released on an East Coast compilation & also
a German compilation. If not we might go back into the studio.
It’s really up to Bernie Garcia the producer.
14. HOW IS YOUR MUSIC
IN THE L.A. SKINHEAD SCENE PERCIEVED? ARE THERE SOME SKINS IN
YOUR BAND?
The Drummer and I were skins back
when we began recording in 1996-97. As far as how L.A. skinhead
scene is perceived as big as I left it. More & more Skins
are starting to form their own bands. Some get tired of playing
the Skinhead Reggae so they go a bit further to the Oi sound.
Others just record some great tracks for others to check out.
15. YOUR PROJECTS IN THE
FUTURE?
I
gotta say that after many years I still have a love for reggae
music. It may not have the same sound as it did when I first
started but it does have the fundamental reggae elements. At
the moment I work alot with building Reggae Riddims with MIDI
and sequencing as well as some live instrumentation from the
bass and guitars. As well, I have evolved from instrumentation
to singing. So on my own music I find myself singing. I now
work more with engineering and producing than song writing for
a band. But if Bernie and I take the time, than I am pretty
sure we could get some of the old musicians back in the studio
for a RETURN OF THE ALL-STARS.
Thanks for the interview Connan.
Much respect to you & The Sound Of Ska (France)
Alex Solan